I am really excited about the recent photo shoot my sister and I did with my husband for our band, The Hello Strangers. I am cross-referencing a blog post from my husband's and my photography business blog, Playing Work. Ryan describes the details and processes from the shoot. He also asks for opinions about black and white photos versus color. We'd love to hear your opinions!!
My sister and I are recording with the band all this weekend. I'll keep you posted on how it goes!
I have learned over the years that being a photographer is not just about taking pretty pictures, but more importantly is about solving problems. It could be said that I am not really a photographer, but a problem solver who figures out the necessary steps to complete a photograph. Some photos come easily, while others may involve various equations that must first be interpreted before the image can be captured.
I’m not talking about calculus here . . . I’m talking about problems like how I am going to get power out to the middle of a field, or what type of light I am going to create that will best tell the story I want to tell.
Larissa and her sister have a band called The Hello Strangers. They are an alternative country band and have a very distinct sound combining beautiful harmonies, fantastic melodies, and, often-times, haunting lyrics. You may think I am biased because Larissa is my wife, but I have a feeling if you listen to their music or see them live you won’t be able to disagree with me.
Last weekend, weeks of brainstorming and planning came together for a few hours of creativity and photography for The Hello Strangers. Brechyn, Larissa’s sister, arrived at 4 p.m. with makeup done and wardrobe in hand. Earlier in the day I had picked up the retro chair from her apartment and borrowed a 5000 watt generator from my Dad. While Larissa and Brechyn finished getting ready I loaded up the camera, strobes, light stands, sandbags, chair, generator, ladder, props and beer into my trusty old Nissan Pathfinder.
As soon as they were ready, we loaded up three very special dogs and the remaining props and caravanned back the lane and into the field about 1/2 a mile from the house. Nestled in the middle of a tall patch of grass, we started by creating our set. Once we had the chair and small table in position, Larissa and Brechyn stepped in. We shot for about 15 minutes with natural light before setting up the strobes. A front moved in just as we were beginning the shoot, and a cold, damp wind blew across the set, causing Larissa and Brechyn to tense up and look very cold in the photos. They warmed up in the car with some beer while I set up my preconceived light formation and cranked up the generator. After a few tests, I was ready to go and they took their positions on set while the 3 dogs were busy working on finding something to eat.
Having the dogs along creates a fun, but slightly chaotic obstacle Larissa and Brechyn try to tame the chaos
We shot quickly because the temperature was dropping, the wind was picking up, a few sprinkles were beginning to fall, and one of the dogs disappeared. Not the best circumstances to shoot in, but we knew we wanted a cold winter feeling to the images so it worked perfectly.
I knew we had the shot so we quickly packed all the equipment back into the vehicles as the rain came down. Once we were back at the house and had located the missing canine, we began to setup for the second half of our shoot. Although I am primarily a location shooter, I love shooting in a controlled studio environment from time to time. Brechyn had the idea of doing a shot of their boots lined up in a row with the two of them on each end. We wanted this to be a square format for the possibility of being the cover of their next record so we had to exclude a few pair of boots. I played with the light until I had the look we wanted and then took a series of shots with boots in different positions and the girls in different colored skirts. Once we had the shot, we decided to improvise a little and shoot close-ups of the instruments and some details of the Hohner Accordion that is featured occasionally in the band's repertoire.
The total production time for the day came out to be about 7 hours and in this time we were able to capture some fantastic images. These are the kind of shoots that I absolutely love to do. Not only do I get to photograph and collaborate with two beautiful, talented women, I also get to fully exercise my problem solving abilities to create intriguing, polished images.
Below are a few shots from the The Hello Strangers photo shoot. These were originally intended to be in color, but after some thought, I decided to see what they looked like in black and white.
Here's where you come in: What’s your opinion? Please leave a comment and let me know what you think about the images in general, as well as which versions, either color or black and white, you like better.