Drawing on interviews, ethnographic work, and media and policy documents, the book analyzes, says Routledge’s announcement , “the influences at play on the contestation over human remains, and examines the social construction of this problem”.
One potentially interesting result of Jenkin’s analysis (which supports my own experience here in Denmark) is that
the strongest campaigning activity has been waged, not by social movements external to the institution, as they are frequently characterized, but by actors inside it
As Jenkins points out, this has implications for how we theorise the museum.
The fact that Tiffany Jenkins is arts and society director of the sometimes contested (see here and here ) London-based think-tank Institute of Ideas, makes it an even more intereresting publication. I’ve already ordered a copy, although 70 GBP is a pretty hefty price tag.